GET THE ALBUMS AT BANDCAMP, ZORCH FACTORY RECORDS, AFMUSIC, VAULT 106 ,AMAZON ,DEEZER, SPOTIFY, EMUSIC etc
CONTACT: madamebmusic@hotmail.fr
WHAT THEY SAID...
" I've been listening to her CDs and liking 'em a lot. They give me those half awake nightmares.This is really good stuff! Damnation." LONESOME WYATT,THOSE POOR BASTARDS -
- " I really love her music. It's great, musically and vocally.A bit of Joy Division smashed into Lydia Lunch, but it isn't a rip-off of either. Nice videos, too. It's all great, but " Noisi(h)er Silence" is honestly phenomenal. I'm impressed and even more honored by the fact that she likes my music. " ZEBULON,SONS OF PERDITION -
- " The instrumental tracks and her voice are unusual and special.If she used a real drummer everything would be perfect." RHYS CHATHAM -
- " Madame B composes pieces which are so flavourful as the original New York No Wave's productions.If the good fairy bend little over the cradle, she has everything to become the French Lydia Lunch" YG,EX DADA'S NOISE -
- " Her stuff is crazyyyy! " OTTO VON SCHIRACK -
- " Twisted thoughts and angry incantations over wonderful mechanical clattering and surreal washes of sonic gloom. Moody introspection and brooding sensuality. Deeply personal music from a true artist." GUILTY STRANGERS -
- " On a minimalist music, Madame B proclaims her cries of pain or hope to create an obsessing haunting atmosphere, which takes us far, in a dark and melancholic world. A different sound which is worth it. " COLD WAVE YEARS -
SOME OF MY VIDEOS
MORE HERE : http://www.youtube.com/user/MadameBarree
Xed LeHead is the master of dotwork tattoo, and he is the most passionate guy I've ever met!He is one of my close friend so I know what I'm talking about. Xed is the father of the Dotwork Tattoo family. Enjoy his work! : )
Find him here: DIVINE CANVAS : http://divine-canvas.com/
Those Poor Bastards play miserable and primitive old-time gothic country music. Lonesome Wyatt (guitar, vocals) and The Minister (banjo, bass, etc) are both legally certified holiness preachers. If you're looking for slick, overproduced, commercial songs, you'd better cover your delicate little ears. Those Poor Bastards play it raw and they play it mean. Be a pal and support independent anti corporate country music.
Pre-Order New Album "Gospel Haunted" now!
" Hey Awful Pals, We have a new album coming out on June 15 called "Gospel Haunted," on limited edition clear vinyl and CD. To make things worse, there will also be a hand numbered 7" called "Gospel Outtakes." You can pre-order and listen to clips from both of them at http://thosepoorbastards.com/merch/music/ I'm very sorry for this terrible news. Your Miserable Friends," Those Poor Bastards
Membres :Lonesome Wyatt & The Minister Genre :Country Doom Maison de disques :Tribulation Recording Company. Site web :http://www.thosepoorbastards.com
Influences : Louvin Brothers, Carter Family, Johnny Cash, Hank Williams, Hank III, Einstürzende Neubauten, Misfits, The Birthday Party, Nick Cave, Black Flag, Blind Willie Johnson, Tom Waits, Christian Death (Rozz Williams)
"Those Poor Bastards Are the best Gothic Country I have heard yet to this day. The depressing gloomy vocals coming out of this drifter named Lonesome Wyatt has hints of Marilyn Manson to Nick Cave, Throwrag and maybe even a hint of a demented Adam Ant with a shot of a Pilled Up Johnny Cash... And the Minister is backing up Lonesome Wyatt with a style that is a cross between erie strung out folk music with a creepy blend of The Nightmare Before Christmas!!!!!!!!!"
Rhys Chatham (New York, 19 septembre 1952 - ) est un compositeur, guitariste et trompettiste américain, dont les domaines d'expérimentation se rapprochent de la musique minimaliste et de l'avant-garde. Il est connu en particulier pour ses "orchestres pour guitares", où il dirige plusieurs dizaines voire centaines de guitaristes. Il habite en France depuis 1987.
Rhys Chatham débuta sa carrière musicale comme accordeur de piano et de clavecin pour deux pionniers de l'avant-garde musicale : La Monte Young et Glenn Gould. Il étudia ensuite avec deux figures du minimalisme à l'époque: Morton Subotnick et Tony Conrad, avec qui il forma un groupe. En 1971 alors qu'il n'avait que 19 ans, Chatham fonda et dirigea pendant un temps le programme musical de The Kitchen à Manhattan. Ses premières compositions comme Two Gongs (1971) s'inspiraient largement du travail de Young et d'autres minimalistes. Mais rapidement, ses oeuvres gagnèrent en importance et en amplitude.
Un certain nombre d'artistes comme Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Pauline Oliveros et Steve Reich participèrent à ses performances et expériences scéniques, de même que des musiciens de rock alternatif comme Brian Eno, Robert Fripp, John Lurie et Fred Frith. Dans les années 1980, Rhys Chatham travailla beaucoup avec les plasticiens Robert Longo et Joseph Nechvatal.
A partir de 1977, après avoir assisté à l'un des premiers concerts des Ramones, Chatham et sa musique furent sérieusement influencés par le mouvement punk rock. Il prit part à l'émergence d'un nouveau courant musical baptisé plus tard No Wave et qui fut influencé par le minimalisme de Tony Conrad. C'est cette année que Chatham commença à jouer Guitar Trio à Manhattan avec Glenn Branca et Nina Canal (du groupe Ut). Pendant cette période il composa plusieurs oeuvres pour de grandes formations de guitares, et notamment Drastic Classicism pour lequel il collabora avec la danseuse Karole Armitage. Les membres d'un groupe de la scène noise rock new-yorkaise, Band of Susans, commencèrent leur carrière dans les formations de Rhys Chatham. Plus tard, en 1991, ils reprirent Guitar Trio sur leur album The Word and the Flesh. De la même manière, certains membres de Sonic Youth, groupe noise rock new-yorkais, débutèrent dans les formations de Glenn Branca aussi bien que de Chatham.