MY MUSIC
GET THE ALBUMS AT BANDCAMP, ZORCH FACTORY RECORDS, AFMUSIC, VAULT 106 ,AMAZON ,DEEZER, SPOTIFY, EMUSIC etc
CONTACT: madamebmusic@hotmail.fr
WHAT THEY SAID...
LONESOME WYATT,THOSE POOR BASTARDS -
- " I really love her music. It's great, musically and vocally.A bit of Joy Division smashed into Lydia Lunch, but it isn't a rip-off of either. Nice videos, too. It's all great, but " Noisi(h)er Silence" is honestly phenomenal. I'm impressed and even more honored by the fact that she likes my music. "
ZEBULON,SONS OF PERDITION -
- " The instrumental tracks and her voice are unusual and special.If she used a real drummer everything would be perfect."
RHYS CHATHAM -
- " Madame B composes pieces which are so flavourful as the original New York No Wave's productions.If the good fairy bend little over the cradle, she has everything to become the French Lydia Lunch"
YG,EX DADA'S NOISE -
- " Her stuff is crazyyyy! "
OTTO VON SCHIRACK -
- " Twisted thoughts and angry incantations over wonderful mechanical clattering and surreal washes of sonic gloom. Moody introspection and brooding sensuality. Deeply personal music from a true artist."
GUILTY STRANGERS -
COLD WAVE YEARS -
SOME OF MY VIDEOS
MORE HERE : http://www.youtube.com/user/MadameBarree
lundi 18 janvier 2021
mercredi 3 décembre 2014
My new album THE HUMAN FACE
jeudi 20 novembre 2014
mardi 10 décembre 2013
mercredi 13 novembre 2013
jeudi 8 novembre 2012
NEW ALBUM MADAME B - FROM DARKNESS, THE LIGHT
Free download my new album Madame B here :
http://
"From Darkness, The Light" is the latest release from Madame B and is a fine specimen, indeed! It is almost instantly reminiscent of the 80’s experimental side and features pieces from minimal (dark)wave to raw experimentation. No two tracks are alike and it’s sure to keep your interests peaked! The overall sound is characteristic Madame B, but for those of you just joining the party, it’s vaguely as though Einstürzende Neubauten meets early Attrition with and adds a twist of unpredictability. Get your tickets here and hear the show! G."
Art cover by Isabelle Dalle
mercredi 27 juillet 2011
MADAME B & DRUNKEN C ( chronique + videos )
"Madame B & Drunken C: la No Wave qui vient du sud
La chronique de VERTIGO
Tout véritable fan de rock est capable de se réinventer un passé de concerts fantasmés. J’ai même récemment rencontré un type de trente ans qui, l’alcool aidant, se souvenait d’avoir vu Joy Division aux Bains Douches…
Si néanmoins vous n’avez pas eu la chance de vivre à New York entre 1974 et 1983 et si vous regrettez de n’avoir découvert que tardivement les artistes de la scène locale de l’époque qui pour la première fois donna un véritable statut aux femmes (de Patti Smith à Kim Gordon en passant par Debbie Harris, Tina Weymouth, les sœurs Scroggins et Lydia Lunch) alors jetez une oreille sur les productions de Madame B et Drunken C.
Celles-ci n’ont rien à envier à ce qui se faisait de mieux à l’époque.
Toutes deux sont des adeptes du Do It Yourself et du LoFi, des championnes du Less is More et des personnalités protéiformes aux projets multiples (Les Enfants Sales et The Desolation Singers pour Madame B, nombreuses collaborations pour Drunken C).
Les morceaux de leurs CD (qui sont en téléchargement gratuit chez Zorch Factory Records) ont souvent un côté expérimental mais là où tant d’autres s’égarent et nous font ch*** copieusement, elles agissent en orfèvres et nous offrent de véritables petits bijoux sonores.
Chez Drunken C, les ambiances sont proches de celles des morceaux les plus mélodiques de Sonic Youth (Mary is dead since, Dream Evil, Rumor across the town…)
A l’écoute de Madame B, c’est plutôt à Lydia Lunch que l’on songe (I am the worst, Rock And Roll -une étonnante cover de Gary Glitter- )
Ces comparaisons (pas flatteuses car plus que justifiées) pourraient donner l’impression qu’on ergote sur leur originalité, ce que démentira l’écoute de morceaux tels Toc Toc Toc de Drunken C ou I am sorry that I hate you de Madame B.
Evidemment, elles ne viennent pas de New York, ni de Berlin, de Londres ou de Manchester mais du sud de la France. Je veux quand même croire qu’elles se frayeront leur chemin et j’espère qu’en 2040, je croiserai un type d’une trentaine d’années qui, l’alcool aidant, me certifiera les avoir vues sur scène en 2011."
http://cybversion.blogspot.com/
samedi 23 juillet 2011
LES ENFANTS SALES - 2 free albums @Zorch Factory Records
"Coming for the hottest and southiest part of France, the music made in Les Enfants Sales is cold as hell and will drive you amongst the ruins of a decayed universe all along the post folk rock and ambient tunes of this terrific album! Let's go for the apocalypse soundtrack!"
Zorch Factory Records
http://www.zorchfactoryrecords.com/official-releases/item/135-les-enfants-sales-vitriol.html
http://www.zorchfactoryrecords.com/other-releases/item/132-les-enfants-sales-0-plus-0-egal-1.html
(just COPY/PASTE the links)
samedi 23 avril 2011
Free Compilation " DEATH TO GLITTER "
FREE DOWNLOAD HERE: http://vault106.tuxfamily.org/
vendredi 1 avril 2011
SISTER DOLOROSA - Madame B and Viktoria Matthews 's song/video
The lady in the dark is looking for a spark
May her sorrow be only a shadow...
Are you bleeding Sister Dolorosa
Is it tears in your hands?
Are you crying Sister Dolorosa
Is it blood in your hands?
Arms open , she's looking after you
Arms open , she will confort you
She will take your tears
She will take your fears
She'll swallow your sorrow
Are you bleeding?
Are you bleeding Sister Dolorosa?
May your pain be only a rain.
Let it drain.
Let me contain your pain.
Are you bleeding Sister Dolorosa
Is it tears in your hands?
Are you crying Sister Dolorosa
Is it blood in your hands?
samedi 19 mars 2011
Madame B's New Video : SKIN and BONES
AND THIS IS MY COVER OF "SKIN AND BONES" :
lundi 7 février 2011
MADAME B MEETS GUILTY STRANGERS 's free album
Madame B can't stop doing music and likes to collaborate with talented musicians. This meeting with the Americans of Guilty Strangers that recently released a full-length album here shows once again how interesting the mix and confrontation between different musical universes can be. Post-punk tunes, experimental waves and batcave inspired melodies are brought to new highlihts in this record anyone should enjoy!
Info and download here : http://www.zorchfactoryrecords.com/
By "Vault 106" :
Madame B meets Guilty Strangers is a collaboration between French D.I.Y. experimentalist provocateur Madame B, and U.S. post-everything gloomrockers Guilty Strangers. While elements of both factions' previous works can be found here, there are some unexpected turns into musical territories unexplored by either artist before this release.
The collaboration took part via email exchanging of tracks, and took shape over a very short period of time. Madame B described the working process as "quick, true and passionate...and so real!"
Infos & telechargement: http://vault106.tuxfamily.org/
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A limited, numbered edition of 66 copies (cd-r with front and back covers, inner-cover artwork) has been made. If you would like to buy a real one, email : madamebmusic@hotmail.fr
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mercredi 2 février 2011
CAMP Z + MADAME B
Seduced by each other’s feeling, references and way of walking the musical underground, Madame B and Manu/Zorch decided to unit their forces to release this multi-colored mid-length record, driving the listener from raw garage punk to experimental sounds. Freedom has been the moto for this creation full of spontaneity. The duo also invited Joy Disaster's Nicolas Rohr to ignite some of their songs with its powerful guitar!
Enjoy! Info & download here : http://www.zorchfactoryrecords.com/the-news/134-camp-z-madame-b.html
mardi 4 janvier 2011
mercredi 29 décembre 2010
New album " INSID(H)ER " free on Zorch Factory Records & Vault106
http://www.zorchfactoryrecords.com/releases/item/113-madame-b-insider.html
http://vault106.tuxfamily.org/index.php/post/%5BVAULT056%5D-MadameB-Insid%28h%29er
Enjoy...or not!
jeudi 25 novembre 2010
ALL TOMORROW'S PARTIES DOCUMENTARY ( site here )
All Tomorrow’s Parties is a DIY concert film featuring performances from an eclectic mix of some of the most influential artists including: Battles, Sonic Youth, Belle And Sebastian, Grinderman, Iggy and the Stooges, Portishead, Mogwai, Slint, Grizzly Bear, the Yeah Yeah Yeahs, The Gossip, Daniel Johnston and The Boredoms.
The film is a semi-found bricolage made from Super8, camcorder and mobile phone footage contributed by over two hundred filmmakers, fans and musicians over the festival’s recent history, with key contributions from Jonathan Caouette (Tarnation) and Vincent Moon (The Take Away Shows, Arcade Fire).
All Tomorrow’s Parties is a fiercely independent festival that many music lovers regard as one of the most important music events in the world. In an intimate and communal atmosphere, free of corporate sponsorship, it serves up a heady combination of alternative music, crazy golf and chalet-living, with musicians and fans living side by side. At each festival a band or artist is chosen to gather up their favourite artists who perform over a weekend in an out-of-season holiday camp by the sea. Sonic Youth’s Thurston Moore described the festival as the ‘ultimate mix tape’.
Warp Films: All Tomorrow's Parties - The Film - Trailer from All Tomorrow's Parties: The Film on Vimeo.
jeudi 19 août 2010
LET'S WAKE UP THE DEADS on Mew Wave Mixtape #4
LET'S WAKE UP THE DEADS
Garbage full of brains
Brains full of garbage
Let's wake up the deads
They just want to dance
Let's wake up the deads
They want to speak
They need to speak
Let's wake up the deads
They just want to dance
Listen careful to them
They will teach you so much
Listen careful to them
Listen when they say:
Live now or now leave
Leave now or now live
Live now
Garbage full of brains
Brains full of garbage
Listen careful to them
They will teach you so much
Listen careful to them
Listen when they say:
Live now or now leave
Leave now or now live
Leave now
Garbage full of brains
Brains full of garbage
Let's wake up the deads
They want to speak
They need to speak
Let's wake up the deads
FROM THE ALBUM NOISI(H)ER SILENCE
MADAME B ( 2010 )
lundi 26 juillet 2010
Instrument - Ten Years with the Band Fugazi
J'ai envie de vous parler de ce DVD sorti en 2001 "Instrument - Ten Years with the Band Fugazi".
Il représente une collaboration entre le cinéaste Jem Cohen et le groupe de Washington D.C. Fugazi, sur une période de 10 ans (de 1987-1996). Loin d'être un documentaire traditionnel, c'est un portrait de musiciens à l'oeuvre.
A voir absolument!
Fugazi "Bonus DVD"
envoyé par ben-never-scene. - Regardez d'autres vidéos de musique.
Autres interview et videos:
lundi 19 juillet 2010
Steve Miro And The Eyes
STEVE MIRO AND THE EYES est un groupe post punk des early 80s originiare de Manchester. Steve Miro etait un des fondateurs de "Object Label".
Steve Miro (vocals, guitar), Jimmy Carter (bass), Delroy Smith (saxophone), Brian Martin (drums).
Band's discography:
Dreams of Desire 7" (1979)
Rude Intrusions lp(1980)
Second Sentence lp (1981)
Spherical Objects were an important representative of the Manchester, UK-based experimental independent post-punk scene of the late 70s (including other more or less experimental groups like The Passage, Steve Miro & The Eyes, Tirez Tirez and Grow Up). All these bands were hosted under the Object Music record label. Many of them shared musicians, thus the movement looked more like a musical collective (actually, there was indeed a Manchester Musicians Collective, started by Dick Witts of Passage).
Leader and heart of the band was Steve Solamar (real name Steve Scrivener), a distinct song/lyrics writer with a « terrible voice » (as many fans would say). However, this twisted voice adds even more to the idiosyncratic character of the music.
In summer 1978, they recorded their first LP, « Past And Parcel », which sounds more diy than everything they did afterwards. Their best came with « Elliptical Optimism » (1979) and « Further Ellipses » (1980). The former still keeps contact with punk and 60s garage sound. « Further Ellipses » puts more emphasis on ultra-romantic melodic synth tunes (The « Final Part », « The Root »), a small share of Latin guitar melancholy and production perfectionism (as possible as it could be on those small record labels). Nevertheless, tracks like « Set Free » betray the strong influence of rhythm & blues; unusual for a British post-punk band of that period.
In 1980, Solamar collaborated with Steve Miro as the Noyes (i.e. « noise ») Brothers, to produce more experimental music forms. They recorded a double LP (« Sheep From Goats »), which was far more unconventional than anything they had created with their own bands. Other Solamar projects were Warriors and Alternomen Unlimited, while John Bisset Smith was involved into Grow Up (all recording for Object Music).
In 1981, Spherical Objects recorded their last LP, « No Man’s Land ». It was a return to more archetypal rock forms like those perverted and twisted in « Elliptical Optimism ». However, the vigour and inventiveness of the latter were notably lacking.
Unfortunately, not a single word of news exists after 1981 about Spherical Objects or Steve Solamar except that, (according to Simon Reynolds « Rip It Up and Start Again: Post Punk 1978-1984 ») he changed gender (now known as Shirley).
http://manchestermusicianscollective.org/















